We went to an awards night. In Sydney, no less, having been nominated in the somewhat divergent categories of ‘Best Comedy/Novelty Song’ and ‘Best Spiritual Song’. Had there been an award for ‘Most Bizarre Mix of Categories’, we surely would have triumphed.
The night got off to a rough start. We arrived to find that Katrina had been seated at table 20. I assumed that, since we had bought our tickets together and we’re nominated together and we were attending together that I, too, would be seated at table 20. But I was dead wrong. Instead, I was seated at table 3; right at the front with a number of guests of honour, including the guy who sang in ‘The Cockroaches’ and went on to manage ‘The Wiggles’. Was this deliberate? Had they asked for me by name or was this simply a minor clerical error? What could it possibly mean?
It quickly became apparent that spending an entire evening being seated at opposite ends of the venue was not going to be sustainable. We approached the person in charge who, it must be said, offered to help. She then looked at our assigned tables and double checked that I really wanted to move, noting that I was on ‘a really good table’. There was no room for hesitation – I told her that my allegiances lay elsewhere. Thanks to a very kind person on table 20, a swap was arranged. Seated beside each other, we waited eagerly for our categories …
We didn’t win. Some might be disappointed, but not us – we placed in the top 10 (twice!) and had fabulous night, no doubt aided by the fact that we were seated on the same table. And that, you might think, is that. Except that recent developments on the world stage have shown us that losing need not be the end of our hope of winning.
If I’ve learned anything this year, it’s that you don’t need to win. Rather, you need only to convince the person who did win to surrender their award and, if possible, smile whilst they’re at it. It shouldn’t be that hard.
I’ve started attending garage sales. Mostly, these events are a pretty scrappy affair, with household contents scattered across the nature strip as though some giant house-gobbling monster has just projectile vomited. There are plates, clothes, abandoned board games and world-weary furniture. Sometimes there are old sporting trophies and school certificates. Amazingly, these are often available at prices that are even more competitive that the events that resulted in the trophy to begin with.
Whenever I see such items, I buy up big. As a result of my fossicking, I’m now the proud owner of certificate for the fifty metres backstroke. Granted, it’s in the name of ‘Stephen Bannon’, but I now legally own the certificate and, therefore, own all the attendant glory and satisfaction that goes with it. I’m also the under-12s calisthenic champion for St Mary’s Primary School for the year 1987 and have come second runner-up in an over-70s slam poetry competition. I have immediately added these achievements to my résumé.
But I need more. My thirst for achievement has not been sated with my ‘Most Improved Kick’ trophy for the Maffra under-9s from 2001. I need something bigger.
Having not won an award recently, my next step is obvious. I should contact the winner and ask her to give the award to me. This may not be quite as easy as it sounds. It is possible that the person who won the award holds the view that she should have won the award and, therefore, should retain the trophy that confirms that she did, indeed, win the award. But that’s mere semantics. Because I feel I should have won, I have won; and it is, frankly, deeply unreasonable for anyone else – whether they be the winner or the judges that determined the winner – to try and stand in my way.
But whilst getting a songwriting award would be nice, it’s just the first step towards getting my achievements – both real and imagined – recognised. That’s why I’ve just emailed actor Matt Damon, asking him to hand over the 1997 Oscar for ‘Best Original Screenplay’ that he snaffled for ‘Good Will Hunting’. Granted, I had nothing whatsoever to do with writing it, but I feel I could have. I’ve also seen the film several times, a couple of which were right to the end.
Jana Wendt was, if nothing else, surprised when I emailed her demanding her Gold Logie for 1992. But it now sits pride of place in my pantry, just next to the Garam Masala, in front of the peanut oil. Peter Carey is, to this time, reluctant to give me one of his Booker Prizes. Greedy. He’ll change his tune once I invade French Island.
What I really want – more than a Logie, Booker Prize or an Award for ‘Best Comedy Song’ is a Nobel Peace Prize. I’m not fussy as to whose name is on it, but it would look perfect hanging from my fridge. We are, in the end, all winners of a kind. Just not always the right kind.